11/17/2023 0 Comments Alfred molina marisa tomei![]() James Macdonald will direct The Pillowman Tony nominee Michael Stuhlbarg in the world premiere of The Chinese Room, written by Michael West. It tells the intersecting stories of four people: an unemployed truck driver, his ex-wife who suffers a serious accident, a doctoral student and his caregiver. The Nikos Stage season begins on June 29 with the world premiere of Cost of Living, written by Martyna Majok and directed by Jo Bonney. Lyssa Dent Hughes and her tumultuous path to becoming Surgeon General. The play, which premiered on Broadway in 1997, follows Dr. The new comedy will run from July 20 through July 31 and explores the unlikely relationship between Liza, a southern stay-at-home mom, and Bernie, a failing actress in New York.Įvan Cabnet will direct a production of Wendy Wasserstein’s An American Daughter performances will run August 3 through 21. Next up on the Main Stage is the world premiere of Boo Killebrew’s Romance Novels for Dummies, directed by Hand to God’s Stuelpnagel. Performances will run from June 28 through July 17. In The Rose Tattoo, Tomei takes on the role of Serafina, a widow who leaves behind her grief with the arrival of the trucker Alvaro. Also tapped for the summer season are Alfred Molina, a new musical by Craig Carnelia and Joe Tracz and a world premiere helmed by Moritz von Stuelpnagel. Williamstown Theatre Festival’s 62nd season will kick off with Oscar winner Marisa Tomei in Tennessee’s Williams’ The Rose Tattoo, directed by Trip Cullman. As Swicord’s screenplay degenerates into a tedious series of misunderstandings and mistaken identities, Nair’s direction becomes so broadly emphatic that nearly every scene seems to constitute a major climax. “The Perez Family” was directed by Mira Nair, an Indian-born film maker whose previous work (“Salaam Bombay,” “Mississippi Masala”) seemed far more authentic and stylistically controlled. None of the actors has enough screen time to develop them. Robin Swicord’s screenplay, based on a novel by Christine Bell, tries to pack too many characters and too many incidents into a feature film framework (Chazz Palminteri is also on hand as a sympathetic FBI agent). Learning from an immigration official that it’s easier to find sponsorship for families, Dottie enlists Juan to pose as her husband (“I ‘splain your wife I have no interest in you,” she reassures him, in unconscious homage to Ricky Ricardo). Juan is crushed when Carmela doesn’t appear at the refugee shelter to claim him, but soon falls in with the irrepressible Dottie. Juan’s aristocratic wife, Carmela (Anjelica Huston), and daughter Teresa (now grown into Trini Alvarado) did manage to escape the revolution, and are now living in a middle-class Miami suburb, supported by Carmela’s raving right-wing brother Angel (Diego Wallraff). ![]() Among them are Dottie (Tomei), a hot-blooded woman whose American dream is to make love with John Wayne, and Juan Raul Perez (Alfred Molina), a former landowner who spent 20 years in jail for destroying his sugar crop rather than turn it over to Castro. It is 1980, in the last days of the Mariel boatlift, and Cuban refugees are pouring into Miami. Well, Cuba gets used again in “The Perez Family,” a sprawling, uneven, highly sentimental folk saga that must be meant to be the South Florida version of “Like Water for Chocolate” but falls lamentably short. PLAYING A LOVABLE, FULL-OF-LIFE prostitute in “The Perez Family,” Marisa Tomei proclaims, “I am like Cuba used by many, conquered by no one! Marisa Tomei, Alfred Molina, Anjelica Huston.
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